Nigel Ayers' sound art work is rooted in assemblage and collage. Years before digital sampling became commonplace, his recordings used many thousands of carefully edited “found” and specially recorded sound samples. His interest in the psychological effects of sound, and in particular the recombination of sound to affect perception of time and space is reflected in CD titles such as “Practical Time Travel” where sound functions as snapshots of memory forming new associations as it passes into a simulated dream world. His work reflects the fluid nature of post-modern experience dipping into elements of fringe science, outer space and ethnic music traditions; forming radical mutations of the popular song form and pitting “outsider” viewpoints against more orthodox media constructions of reality.
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